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Animator - Tippett StudioAnimator - Method (CIS) Canada Art Director - Lorin Flemming Assistant Costume Designer - Stacy Caballero Assistant Editor - Jason Otis Dale Assistant Editor - Joey Amron Assistant Editor - Shae Salmon Assistant Makeup - Allison Gordin Associate Producer - Barbara Kelly Book Author - Stephenie Meyer Camera Operator - David Crone Camera Operator - Michael Applebaum Casting - Debra Zane CGI Effects - Colin Strause CGI Effects - Aharon Bourland CGI Effects - Rif Dagher CGI Effects - Adam Swaab Character Design - Scott Patton Cinematographer - Guillermo Navarro Composer (Music Score) - Carter Burwell Costume Designer - Michael Wilkinson Costumes Supervisor - Dan Bronson Department Head Hair - Rita Parillo Department Head Makeup - Rolf Keppler Digital Effects - Neil Eskuri Digital Effects - Brennan Prevatt Executive Producer - Mark Morgan Executive Producer - Greg Mooradian Executive Producer - Guy Oseary Executive Producer - Marty Bowen First Assistant Editor - Ian Slater Key Make-up - Stacey Panepinto Lead Animator - Hans G. Brekke Leadman - Richard Wester Location Manager - Michael J. Burmeister Location Manager - Abraham Fraser Music Editor - Adam Milo Smalley Musical Direction/Supervision - Alexandra Patsavas Post Production Supervisor - Andrea Wertheim Production Coordinator - Steve Cainas Production Coordinator - Kathleen Whelan Production Designer - Richard Sherman Production Manager - Carrie Richardson Production Supervisor - Angela Quiles Properties Master - Nevin Swain Properties Master - Michael Sabo Prosthetic Makeup Effects - John Rosengrant Re-Recording Mixer - Michael Minkler Re-Recording Mixer - Tony Lamberti Script Supervisor - Jessica Lichtner Set Decorator - David Schlesinger Sound Mixer - Steve Aaron Special Effects Supervisor - David Poole Special Effects Technician - Thomas Van Koerden Special Effects Technician - Skylar Gorrell Special Effects Technician - Cristen Martemucci Special Effects Technician - Brett Smith Still Photographer - Andrew "Buzz" Cooper Stunts Coordinator - Scott Ateah Stunts Coordinator - Jeff Imada Stunts Coordinator - Marcio Caldas Supervising Art Director - Troy Sizemore Supervising Sound Editor - Dane A. Davis Visual Effects - John Bruno Visual Effects - Digiscope Visual Effects - Pixel Magic Visual Effects - Tippett Studio Visual Effects - Engine Room Visual Effects - Soho VFX Visual Effects - Mr. X Inc. Visual Effects - Hy*drau"lx Visual Effects - Lola VFX Visual Effects - Prologue Visual Effects - Comen VFX Visual Effects - Image Engine Visual Effects - Wildfire Visual Effects Visual Effects - Modus FX Visual Effects - Spin VFX Visual Effects - Method (CIS) Canada Visual Effects - Cebas Canada Visual Effects Coordinator - Elbert Irving IV Visual Effects Coordinator - Wilson Cameron Visual Effects Coordinator - Crystal Choo Visual Effects Coordinator - Dana Jurcic Visual Effects Coordinator - Mark Van Ee Visual Effects Coordinator - Sylvia Kim Visual Effects Coordinator - Robbie Janda Visual Effects Editor - Catherine Chase Visual Effects Editor - Neil Greenberg Visual Effects Editor - Brad Minnich Visual Effects Editor - Steve McLeod Visual Effects Executive Producer - Marc Bourbonnais Visual Effects Executive Producer - Shawn Walsh Visual Effects Executive Producer - Ray Scalice Visual Effects Executive Producer - Neishaw Ali Visual Effects Executive Producer - Kyle Cooper Visual Effects Executive Producer - Patrick Bissonnette Visual Effects Producer - George Macri Visual Effects Producer - Dennis Berardi Visual Effects Producer - Lauren Alexander Ritchie Visual Effects Producer - Allan Magled Visual Effects Producer - Wendy Lanning Visual Effects Producer - Josh Comen Visual Effects Producer - Michael Caplan Visual Effects Producer - Thomas Nittmann Visual Effects Producer - Anouk Deveault Moreau Visual Effects Producer - Mary Stuart Visual Effects Producer - Robin Griffin Visual Effects Producer - Ken Kokka Visual Effects Producer - Dane Smith Visual Effects Producer - Edwin Braun Visual Effects Supervisor - Phil Tippett Visual Effects Supervisor - John Bruno Visual Effects Supervisor - Raymond McIntyre Jr. Visual Effects Supervisor - Terry Windell Visual Effects Supervisor - Dion Hatch Visual Effects Supervisor - Yanick Wilisky Visual Effects Supervisor - Eric Leven Visual Effects Supervisor - Aaron Weintraub Visual Effects Supervisor - Edson Williams Visual Effects Supervisor - Jeff Campbell Visual Effects Supervisor - Dottie Starling Visual Effects Supervisor - Tim Carras Visual Effects Supervisor - Nadav Ehrlich Visual Effects Supervisor - Daniel Schmit Visual Effects Supervisor - Robin Hackl Visual Effects Supervisor - Bruce Woloshyn The opening moments of the film bring Bella Swan, Edward Cullen, and their loved ones together for an über-romantic wedding and exotic Rio de Janeiro honeymoon, where the couple finally consummate their relationship. Unfortunately, their newfound marital bliss is cut short when a series of betrayals and misfortunes threaten to destroy their world. Bella soon discovers she is pregnant, and during a nearly fatal childbirth, Edward finally fulfills her wish to become immortal. But the arrival of their daughter, Renesmee, sets in motion a perilous chain of events that pits the Cullens and their allies against the Volturi, the fearsome council of vampire leaders, setting the stage for an all-out battle. Where "Eclipse" raised the bar for the franchise with its polished action sequences and tight story, Breaking Dawn excels at examining the relationship between Edward and Bella. Even still, when the film shifts away from the duo to address other characters and exposition, the narrative goes flat and the ensemble's performances suffer as a result. Perhaps this is due in part to the source material -- Stephenie Meyer's prose relies heavily on sensory perception, which Condon has difficulty translating to screen; what you're left with is a stagnant story and wooden acting. To say that the infamous wedding-night scene and vampire-baby birth sequence are excessive is putting it mildly, and they both require some major suspension of disbelief. Considering that Breaking Dawn is the most-out-there novel in the series and is heavy on drama and very light on action, the film version would have benefited from Condon taking risks, pushing beyond the PG-13 rating and invoking a greater sense of urgency. Breaking Dawn took a cue from the "Harry Potter" playbook and was split into two films, the second of which will be released in the fall of 2012. Fans of the novels will be pleasantly surprised at how beautifully Condon handles some of the more-delicate aspects of the story, and despite the fact that certain elements of the book get lost in translation, Breaking Dawn is a worthy addition to the Twilight franchise. ~ Alaina O'Connor, Rovi |


![The Twilight Saga: Breaking Dawn, PT. 1 [Original Soundtrack] , Original Soundtrack The Twilight Saga: Breaking Dawn, PT. 1 [Original Soundtrack] , Original Soundtrack](http://image.allmusic.com/13/amg/cov75/drq700/q750/q75098ntvow.jpg)


