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Disc #1 -- Help
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English 5.1 Dolby Digital
English 2.0 Descriptive Video Service
Français 5.1 Dolby Digital
Español 5.1 Dolby Digital
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Bonus Features
Deleted Scenes With Introductions by Director Tate Taylor
The Livign Proof Music Video
Sneak Peeks
- Chapters
Disc #1 -- Help
1. The Help [9:39]
2. Bridge Club [8:13]
3. Skeeter [8:06]
4. The Storm [7:41]
5. Courage [12:22]
6. Minny's New Job [6:53]
7. Not Good Enough [11:12]
8. Separate, But Equal [15:36]
9. More Stories [7:17]
10. Terrible Awful [4:06]
11. Benefit Dinner [9:39]
12. One More Story [7:15]
13. The Book [7:03]
14. Thank You [8:29]
15. The Truth [9:02]
16. End Credits [5:44]
- Features
Deleted scenes
Making of the Help: From friendship to film
In their own words: a tribute to the maids of Mississippi
Mary J. Blige's "The Living Protocol" music video
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Directors
Tate Taylor
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Producers
Chris Columbus
Michael Barnathan
Brunson Green
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Composers (Music Score)
Thomas Newman
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Co-Producers
Sonya Lunsford
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Editors
Hughes Winborne
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Screen Writers
Tate Taylor
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Others
Art Director - Curt Beech
Book Author - Kathryn Stockett
Casting - Kerry Barden
Casting - Paul Schnee
Cinematographer - Stephen Goldblatt
Composer (Music Score) - Thomas Newman
Costume Designer - Sharen Davis
Executive Producer - Mark A. Radcliffe
Executive Producer - Jeff Skoll
Executive Producer - Tate Taylor
Executive Producer - Nate Berkus
Executive Producer - Jennifer Blum
Executive Producer - Mohamed Khalef Al-Mazrouei
Executive Producer - Dean Jones
First Assistant Director - Donald Sparks
Musical Direction/Supervision - Jennifer Hawks
Production Designer - Mark Ricker
Script Supervisor - Cate Hardman
Second Assistant Director - Karen Davis
Set Decorator - Rena DeAngelo
Songwriter - Mary J. Blige
Stunts Coordinator - Rocky Capella
The civil rights melodrama
The Help is based on
Kathryn Stockett's popular novel of the same name. The story takes place in 1963 Jackson, MS, where Aibileen Clark (
Viola Davis) is a middle-aged black maid who recently lost her only son. From the opening moments of the film she explains that she's raised 17 white children in her lifetime -- the irony being that these children grow up and eventually disregard those who truly raised them. Minny Jackson (
Octavia Spencer) is a black maid whose outspokenness has given her a reputation for being a difficult employee, and Eugenia "Skeeter" Phelan (
Emma Stone) is a young white woman who has recently moved back home after graduating from college, only to find that her beloved childhood maid is gone and her mother won't give her a straight answer about what happened.
Skeeter dreams of becoming a reporter and contacts Elaine Stein (
Mary Steenburgen), a New York editor who isn't convinced of Skeeter's talent and instructs her to gain more experience before joining the big league. So Skeeter gets a job at the local newspaper writing a housecleaning column. But she sets her sights higher and pitches a book idea revolving around "the help" -- a collection of stories from a maid's perspective. She enlists Aibileen, who bravely agrees to tell her story to Skeeter, knowing that it could potentially put her life in danger. Skeeter's secret book project has fits and starts; the most challenging is a call for more maids to participate, and for Skeeter to tell the real story about her beloved nanny, Constantine (
Cicely Tyson).
As in the novel, the villain of the film is the vicious Hilly Holbrook (
Bryce Dallas Howard), who takes what almost seems like pleasure in seeing the help suffer. She leads a degrading "Home Help Sanitation Initiative," which requires Southern white homes to build what is essentially an outhouse for their help in order to maintain "sanitary" conditions. Much of the humor of the film comes from the give-and-take between Minny and Hilly, and when Skeeter's relationship with the maids becomes a little too familiar, Hilly, along with her circle of bridge-playing girlfriends, attempts to rein in her activism.
The performances are uniformly excellent, especially from
Davis and
Spencer, who are the soul of the film, bringing their characters a dignity and fullness far beyond the novel, while
Emma Stone is winning and comforting as the cute yet fiercely determined Skeeter, whose untamable curly hair is an all too blatant sign of her rebellious nature. Still, despite writer/director
Tate Taylor's intimate knowledge of the novel (he's close friends with
Stockett), he has trouble maintaining focus and bounces from one character to the next without regard to the overall story. While the bulk of the narrative revolves around Skeeter, Aibileen, and the book, there are several side plots -- a brush with romance in which Skeeter dates a handsome oil industry comer (
Chris Lowell) and the story of Yule Mae (
Aunjanue Ellis), a maid working for Hilly, who is refused the small loan she needs to help send her sons to college and is later arrested upon suspicion of theft -- that seem to be haphazardly thrown in without any regard to pacing or continuity, which works well in a novel but is difficult to translate to film.
The supporting actors breathe life into the novel's characters, notably
Allison Janney as Skeeter's socially timid mother,
Sissy Spacek as Hilly's slightly addled mother, and
Jessica Chastain as outsider Celia Foote, a bottle blond hated by Hilly's circle of friends. Overall,
The Help is a poignant period piece that examines the unquestioned relationships of white socialites and their deferential black maids, and transforms an ugly period of American history into a hopeful future. ~ Alaina O'Connor, Rovi
- Viola Davis : Best Actress - British Academy of Film and Televisio, 2011
- Tate Taylor : Best Adapted Screenplay - British Academy of Film and Televisio, 2011
- Octavia L. Spencer : Best Supporting Actress - British Academy of Film and Televisio, 2011
- Jessica Chastain : Best Supporting Actress - British Academy of Film and Televisio, 2011
- Viola Davis : Best Actress - Broadcast Film Critics Association, 2011
- Tate Taylor : Best Adapted Screenplay - Broadcast Film Critics Association, 2011
- Sharon Davis : Best Costume Design - Broadcast Film Critics Association, 2011
- Mary J. Blige : Best Song - Broadcast Film Critics Association, 2011
- Mary J. Blige : Best Original Song - Hollywood Foreign Press Association, 2011
- Chris Columbus : Best Picture - Producers Guild of America, 2011
- Thomas Newman : Best Original Song - Hollywood Foreign Press Association, 2011
- Thomas Newman : Best Song - Broadcast Film Critics Association, 2011
- Michael Barnathan : Best Picture - Producers Guild of America, 2011
- Octavia L. Spencer : Best Performance by an Actress in a Supporting Role in a Motion Picture - Hollywood Foreign Press Association, 2011
- Octavia L. Spencer : Best Supporting Actress - Broadcast Film Critics Association, 2011
- Viola Davis : Best Actress - Drama - Hollywood Foreign Press Association, 2011
- JR. Harvey Mason : Best Song - Broadcast Film Critics Association, 2011
- JR. Harvey Mason : Best Original Song - Hollywood Foreign Press Association, 2011
- Damon Thomas : Best Original Song - Hollywood Foreign Press Association, 2011
- Jessica Chastain : Best Supporting Actress - Broadcast Film Critics Association, 2011
- Jessica Chastain : Best Performance by an Actress in a Supporting Role in a Motion Picture - Hollywood Foreign Press Association, 2011
- Jessica Chastain : Best Supporting Actress - L.A. Film Critics Association, 2011
- Jessica Chastain : Best Supporting Actress - National Society of Film Critics, 2011
- Jessica Chastain : Best Supporting Actress - New York Film Critics Circle, 2011
- Brunson Green : Best Picture - Producers Guild of America, 2011
- Sissy Spacek : Best Ensemble - Screen Actors Guild, 2011
- Mary Steenburgen : Best Ensemble - Screen Actors Guild, 2011
- Cicely Tyson : Best Ensemble - Screen Actors Guild, 2011
- Chris Columbus : Best Picture - Academy of Motion Picture Arts and Sc, 2011
- Allison Janney : Best Ensemble - Screen Actors Guild, 2011
- Mark Ricker : Best Art Direction in a Period Film - Art Directors Guild, 2011
- Michael Barnathan : Best Picture - Academy of Motion Picture Arts and Sc, 2011
- Octavia L. Spencer : Best Supporting Actress - Academy of Motion Picture Arts and Sc, 2011
- Octavia L. Spencer : Best Supporting Actress - Screen Actors Guild, 2011
- Octavia L. Spencer : Best Ensemble - Screen Actors Guild, 2011
- Octavia L. Spencer : Best Supporting Actress - Detroit Film Critics Society, 2011
- Viola Davis : Best Actress - Detroit Film Critics Society, 2011
- Viola Davis : Best Ensemble - Screen Actors Guild, 2011
- Viola Davis : Best Actress - Screen Actors Guild, 2011
- Viola Davis : Best Actress - Academy of Motion Picture Arts and Sc, 2011
- Mike Vogel : Best Ensemble - Screen Actors Guild, 2011
- Bryce Dallas Howard : Best Ensemble - Screen Actors Guild, 2011
- Chris Lowell : Best Ensemble - Screen Actors Guild, 2011
- Jessica Chastain : Best Ensemble - Screen Actors Guild, 2011
- Jessica Chastain : Best Supporting Actress - Screen Actors Guild, 2011
- Jessica Chastain : Best Supporting Actress - Academy of Motion Picture Arts and Sc, 2011
- Jessica Chastain : Breakthrough Performance - Detroit Film Critics Society, 2011
- Jessica Chastain : Breakthrough Performer - New York Film Critics Online, 2011
- Emma Stone : Best Ensemble - Screen Actors Guild, 2011
- Tate Taylor : Best Adapted Screenplay - Writers Guild of America, 2011
- Ahna O'Reilly : Best Ensemble - Screen Actors Guild, 2011
- Brunson Green : Best Picture - Academy of Motion Picture Arts and Sc, 2011