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Disc #1 -- Dr. Seuss' The Lorax
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Seuss To Screen
Seuss It Up!
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The Lorax
The Bar-Ba-Loots
The Humming Fish
Once-Ler's Wagon
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- Chapters
Disc #1 -- Dr. Seuss' The Lorax
1. Scene 1 [4:13]
2. Scene 2 [2:25]
3. Scene 3 [3:25]
4. Scene 4 [3:51]
5. Scene 5 [2:43]
6. Scene 6 [4:50]
7. Scene 7 [6:47]
8. Scene 8 [4:30]
9. Scene 9 [6:59]
10. Scene 10 [2:36]
11. Scene 11 [3:18]
12. Scene 12 [5:36]
13. Scene 13 [5:11]
14. Scene 14 [2:34]
15. Scene 15 [2:31]
16. Scene 16 [1:38]
17. Scene 17 [3:55]
18. Scene 18 [5:21]
19. Scene 19 [3:29]
20. Scene 20 [4:18]
- Features
Seuss To Screen
Seuss It Up!
Once-Ler's Wagon
-
Directors
Chris Renaud
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Producers
Christopher Meledandri
Janet Healy
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-
Composers (Music Score)
John Powell
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-
Editors
Claire Dodgson
Ken Schretzmann
Steven Liu
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Screen Writers
Ken Daurio
Cinco Paul
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Others
Animation Director - Lionel Gallat
Art Director - Eric Guillon
Associate Producer - Robert Taylor
Book Author - Dr. Seuss
CG Supervisor - Bruno Chauffard
Character Design - Carter Goodrich
Character Design - Yarrow Cheney
Character Design - Robin Joseph
Character Design - Eric Guillon
Character Design - Colin Stimpson
Character Design - Jeremie Moreau
Co-Director - Kyle Balda
Composer (Music Score) - John Powell
Executive Producer - Ken Daurio
Executive Producer - Cinco Paul
Executive Producer - Audrey Geisel
First Assistant Editor - Karl Armstrong
First Assistant Editor - Gilad Carmel
Music Editor - Tom Carlson
Music Producer - Christopher "Tricky" Stewart
Production Designer - Yarrow Cheney
Production Manager - Boris Jacq
Production Manager - Nathalie Vancauwenberghe
Re-Recording Mixer - Randy Thom
Re-Recording Mixer - Gary Rizzo
Script Supervisor - Brett Hoffman
Set Dresser - Laura Giardini
Set Dresser - Florence Putzola
Set Dresser - Elodie Hickson
Songwriter - John Powell
Songwriter - Cinco Paul
Sound Effects Editor - Jeremy Paul Bowker
Sound Effects Editor - Leff Lefferts
Sound Effects Editor - Jon Borland
Sound/Sound Designer - Randy Thom
Supervising Animator - Laurent de la Chapelle
Supervising Sound Editor - Randy Thom
Supervising Sound Editor - Dennis Leonard
Dr. Seuss' The Lorax is a rollicking tale that's aesthetically pleasing, thanks to its vivid pastoral visuals and pro-environmental, anti-greed message wrapped in a bright package of dazzling colors. The movie is based on the children's book of the same name, and is the fourth feature film based on a book by
Seuss and the first to be released in 3D. Director
Chris Renaud, who stuck to the adaptation playbook first set by 2008's
Horton Hears a Who, infuses the movie with a particular brand of giddy humor in the vein of his prior work,
Despicable Me. With
The Lorax, he finds a way to broaden
Seuss' environmental cautionary tale without straying too far from the source material's ideas, and armed with a splendid voice cast, he delivers a zany fable that will delight both kids and parents alike.
The story centers on Ted (voice of
Zac Efron) an idealistic 12-year-old boy who lives in the artificial city of Thneedville. Inspired by the wishes of a cute girl named Audrey (
Taylor Swift), Ted sets out to find the one thing that will win her affections -- a real, living tree. While searching for a tree, he meets the reclusive Once-ler (
Ed Helms), who lives beyond the city limits and explains how greed stripped the countryside of its vegetation, despite the intervention of the Lorax (
Danny DeVito), a grumpy yet charming creature who serves as protector of the Truffula trees. Armed with the last Truffula seed, Ted sets out to remind the town of the importance of nature, while fending off the wealthy mayor of Thneedville, O'Hare (
Rob Riggle), who has no intention of leaving any traces of the Lorax's once lush countryside.
Zac Efron adds a boyish innocence to the role of Ted, the idealist who sets his sights beyond the plastic walls of the artificial town of Thneedville, while
Taylor Swift brings an agreeable virtuousness to the much more enlightened Audrey. Supporting voices include
Betty White as Ted's spirited Grammy Norma,
Jenny Slate as Ted's nurturing mother, and
Riggle as the villainous mayor.
There's a strong theme of environmentalism that writers
Cinco Paul and
Ken Daurio emphasize throughout the film, with the aim of inspiring young people to take an interest in protecting the environment and learning to become eco-warriors. This message bred criticism by some who claimed that the movie was trying to indoctrinate children with an anti-big business, pro-environment message, but controversy aside, the writing duo translate the book's themes without being overly preachy.
Considering the brevity of
Seuss' works, one of the drawbacks of
The Lorax is that the creative team's attempts to stretch out the story are at their weakest when the film strays from the book by adding action sequences, extraneous subplots, and original songs that seem wholly out of place. Regardless, the end result is still a solidly entertaining movie that captures the magic of the beloved tale. ~ Alaina O'Connor, Rovi